wastage

by EXEDO

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1.
wastage 1 18:45
2.
wastage 2 18:55

about

attenuation effect ° 1029 ° 2022
originally released in 2014
photos and design by EMERGE
attenuationcircuit.de ° attenuation-circuit@web.de

credits

released March 19, 2022

Brilliant headcleaning, dynamic harsh noise, with quasi-punk energy and a massive bass growling beneath a thunderstorm of pulsing distortion. The tape is possibly the best medium fot this kind of sound, because if played loud (which is a must), some additional analogue distortion may result.

Exedo uses samples snatched from other projects on attenuation circuit as source materials for his noise treatment. Bringing out the noisy rather than the musical side of the recordings, the audio “waste” that is virtually present in every recording, Exedo makes a statement about the fact that every medium has a limit, an outside. This is not at all about pessimism and entropy, because Exedo uses this self-created waste to create new works from it, works with a fierce beauty for those whose ears are attuned to noise art. The companion release “Waul” shows that this way of “upcycling” very similar material can in fact yield pretty different results even as noise.

File under: Noise

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EMERGE Augsburg, Germany

EMERGE is inspired by the minimalist traditions of experimentalism and non-academic noise music, focusing on generating sound structures intended to make atmospheres emerge that are open to each listener’s own interpretation.
The choice of sound sources used is usually very limited. In most cases only rudiments of the original sounds are recognizable due to various treatments.
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